Indiana might not be on the forefront of sustainable building and architecture, but there are a few bright spots here and there. One of the them is the “new” airport in Indianapolis. I’ve had the pleasure of attending a couple presentations about its designa and the art program for the terminal–such interesting stuff! I loved hearing about the concepts behind the design decisions and then being able to actually experience them as a user of the site and space. It’s been a year or so since I sat in those presentations, so I might not remember the details exactly right, but there are few things that stuck out to me. The first is the approach to the terminal. The curves and grade levels are very intentional about revealing views as you progress. The second is the art program. I love it! There some limestone pieces on the wall just behind the checkout counters that kept me occupied for quite a while. And I am totally, utterly in love with the mosaics and glass pieces. Did you know that those colored glass panels are actually glass fused within those curtain walls? I believe they were produced in Germany. Amazing! The third is the simplicity of wayfinding. The terminal is very easy to understand and move around in.
Back in May there was a news release about the LEED certification of the Midfield Terminal campus. Even better! Here is the full release as seen on the Green Business Network: http://bit.ly/N0wdxy.
Although the features recognized by the LEED certification provide an enhanced experience for visitors and employees and support their well-being,they also add great value through measurable efficiency gains in energy,fuel,and water usage. In fact,the investments in sustainable design recognized by LEED certification will more than pay for themselves through substantially reduced aircraft fuel usage and cuts in terminal campus energy and water usage. (emphasis is my own)
My great grandmother sent this photo of his sister to my grandpa while he was away in the war. Perhaps it connects with me because of the context, but I get a real sense of this moment with her. Like the camera is just peeking in on her to see what’s going on.
You never know what you will find when you look in the nooks and crannies–and bookcases–of a design office. I found this gem the other day and had to crack the cover to compare it in my mind to the books that I became so acquainted with while in design school. Anatomy for Interior Designers by Julius Panero, Illustrated by Nino Repetto.
Anatomy for Interior Designers–1962
Here is the intro for the section called “The Business Office”
The Business Office
The popularity of the office party is so great that it is often no longer confined to Christmas. Clerks, stenographers, salesmen, executives, and even accountants are finding more and more opportunities for getting loaded together. It is perhaps for this reason more than any other that, as office space becomes dearer, each individual worker, while forced by circumstances to be nearer his neighbor, needs the modern equivalent of a bundling board to separate himself as much as possible from the neighbor. This is clearly because (a) The chasee of the previous night does not want to have to listen to the excuses of the the chaser (particularly if the chaser was caught); (b) The chaser wants to be able to get away and hide until he or she thinks up a good excuse.
We are not absolutely certain that manufacturers of furniture and equipment have recognized all the nuances arising from these activities but our measurements will help designers arrange units in logical ways–to provide the proper party atmosphere when occasion demands. No-one need worry about whether the furniture or equipment functions for work and play; our office worker community is quite original in the art of adaptation.